{"id":2944,"date":"2020-09-25T23:54:36","date_gmt":"2020-09-25T23:54:36","guid":{"rendered":"http:\/\/jdfx.co.nz\/blog\/?p=2944"},"modified":"2020-09-21T14:57:18","modified_gmt":"2020-09-21T14:57:18","slug":"rencontre-internationale-d-art-performance-2012","status":"publish","type":"post","link":"http:\/\/jdfx.co.nz\/blog\/2020\/09\/25\/rencontre-internationale-d-art-performance-2012\/","title":{"rendered":"Rencontre Internationale D Art Performance 2012"},"content":{"rendered":"

Mentions honorables : The Black Hole, Anouk Kruithof Jaap Scheeren, HUP Editions, Pays-Bas Le cur sacr\u00e9. Un atlas chirurgical du corps humain, Marc Aguilera-Hellweg, \u00c9ditions Kargo, France Visions capitales : arts et rituels de la d\u00e9capitation Julia KRISTEVA, Paris : Fayard, Monter au 3 pour redescendre, solitude au balcon. Une communaute\u0301 mobile, Pocket Films, Centre Georges Pompidou, Paris, France PerceptionAnalyse de Dance for nothing d Eszter Salamon \"rencontre 2014 The House on Four Waters, installation audiovisuelle \u00e0 deux canaux-Trucville 2, commissaire Bertrand Godot, galerie du Dourven, f\u00e9vrier 2013, Locquemeau. \"rencontre Esth\u00e9tique de la Communication, Salerno, Italie, 26-27 F\u00eate de lart, Performance \u00e0 Sauve ville natale de Robert Filliou F.R.A.C. Du Languedoc-Roussillon janvier Rencontre internationale dart performance ART NOMADE H \u03c0\u03c1\u03c9\u03c4\u03b5\u0390\u03bd\u03b7 \u03bf\u03c1\u03bf\u03cd \u03b3\u03ac\u03bb\u03b1\u03ba\u03c4\u03bf\u03c2 TRUE Whey \u03b4\u03b9\u03b1\u03b8\u03ad\u03c4\u03b5\u03b9 \u03c4\u03bf.. La F\u00e9d\u00e9ration internationale de football FIFA, \u00e0 travers son v\u00e9n\u00e9rable, a d\u00e9cid\u00e9 damender de mani\u00e8re temporaire la loi 3, en autorisant cinq remplacements six en cas de prolongation afin de prot\u00e9ger des joueurs un peu froids apr\u00e8s des semaines de confinement et dentra\u00eenements sans contacts. Avec les nouvelles r\u00e8gles provisoires, les cinq changements de joueurs devront seffectuer en trois vagues maximum dont la mi-temps. Lire aussi \"rencontre Articles dans dautres p\u00e9riodiques Articles in other journals Ariella Azoulay Tel Aviv, Peggy Buth Berlin, T.J. Demos Londres, Clementine Deliss Francfort, Faye Ginsburg New York, Jennifer Gonzalez New York, Joachim Koester Berlin, Benoit de LEstoile Paris, George Marcus Irvine, Maureen Murphy Paris, Karen Mirza Brad Butler Londres, Fred Wilson New York, Trinh T Minh Ha San Francisco Mod\u00e9ration par Erik Bullot, Patricia Falgui\u00e8res, S\u00e9bastien Pluot, Giovanna Zapperi. S\u00e9rie de conf\u00e9rences. DARE-DARE, Pratiques du territoire III. Conf\u00e9renciers invit\u00e9s : Pascal Nicolas-Le Strat, Martin Dufrasne et Carl Bouchard, Roadsworth Montr\u00e9al. Au bout de la main, Les Douches, Nuit blanche, Paris Let us bear in mind that this generation of artists is evolving in a free-for-all neo-liberal economic system which, even if in crisis, always manages to stay the course. Financial power, which is not easy for States to control, is akin to a fast and elusive flux which undoubtedly explains why liquids and fluids and their representationsare so present in works. The monetary de-materialization at work since the end of the Bretton Woods accords contributed to the making of a financial system in which currency had no more than a fictitious value. Payments by credit card and PayPal contribute to this transactional fluidity. The post-Fordist principles of the digital economy permit the de-territorialization of capital and the establishment of high-tech companies like Google, Amazon and Microsoft in tax havens, so as to dodge being taxed in countries which they profit from. The duo AIDS 3D Daniel KellerNik Kosmas is interested in these new aspects of the globalized economy: Absolute Vitality Inc. 2012 specifies unambiguously how the art market is part and parcel of this system. Akin to a platform of lectures and encounters, this installation sees itself as the promotional organ of a company purchased in 2012 by artists from a provider of services for front companies, located at Cheyenne in Wyoming USA. Conceived as a multi-function back-up for their forthcoming projects, the main goal of this company was to use a multi-layered strategy of diversified growth, enabling collectors to invest in works of art at minimum risk, with maximum return on investment. What is more, artists have put forward the idea of devising works based on the data-mining used by marketing agencies to target potential consumers: well use a program like Lexalytics to do semantic analysis on a database of art writing in order to create meaningful descriptions of artworks. Then well work with someone to write algorithms that, based on those descriptions, create instructions for new artworks. And then finally well exhibit the works and analyze the audiences opinion and behavior. Let us note that, in an interview with Jaakko Pallusvuo and Jean Kay, they are both in agreement about the similarities existing between the inter-disciplinarity hallmarking present-day art and the capacity of late capitalism to appropriate everything for itself, even criticism of it. G\u00e9raldine Tobe, peinture Aicha Muteba Makana, performance photographi\u00e9e par Barry Mody \u00c9ric Androa Mindre Kolo, installation Mega Mingiedi, installation Collectif Palette Terre Artists against ego Gr\u00e8ce Space: The MOCAK Collection, Krakow Live Festival, Cracovie.<\/p>\n","protected":false},"excerpt":{"rendered":"

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