Mentions honorables : The Black Hole, Anouk Kruithof Jaap Scheeren, HUP Editions, Pays-Bas Le cur sacré. Un atlas chirurgical du corps humain, Marc Aguilera-Hellweg, Éditions Kargo, France Visions capitales : arts et rituels de la décapitation Julia KRISTEVA, Paris : Fayard, Monter au 3 pour redescendre, solitude au balcon. Une communauté mobile, Pocket Films, Centre Georges Pompidou, Paris, France PerceptionAnalyse de Dance for nothing d Eszter Salamon 
2014 The House on Four Waters, installation audiovisuelle à deux canaux-Trucville 2, commissaire Bertrand Godot, galerie du Dourven, février 2013, Locquemeau. 
Esthétique de la Communication, Salerno, Italie, 26-27 Fête de lart, Performance à Sauve ville natale de Robert Filliou F.R.A.C. Du Languedoc-Roussillon janvier Rencontre internationale dart performance ART NOMADE H πρωτεΐνη ορού γάλακτος TRUE Whey διαθέτει το.. La Fédération internationale de football FIFA, à travers son vénérable, a décidé damender de manière temporaire la loi 3, en autorisant cinq remplacements six en cas de prolongation afin de protéger des joueurs un peu froids après des semaines de confinement et dentraînements sans contacts. Avec les nouvelles règles provisoires, les cinq changements de joueurs devront seffectuer en trois vagues maximum dont la mi-temps. Lire aussi 
Articles dans dautres périodiques Articles in other journals Ariella Azoulay Tel Aviv, Peggy Buth Berlin, T.J. Demos Londres, Clementine Deliss Francfort, Faye Ginsburg New York, Jennifer Gonzalez New York, Joachim Koester Berlin, Benoit de LEstoile Paris, George Marcus Irvine, Maureen Murphy Paris, Karen Mirza Brad Butler Londres, Fred Wilson New York, Trinh T Minh Ha San Francisco Modération par Erik Bullot, Patricia Falguières, Sébastien Pluot, Giovanna Zapperi. Série de conférences. DARE-DARE, Pratiques du territoire III. Conférenciers invités : Pascal Nicolas-Le Strat, Martin Dufrasne et Carl Bouchard, Roadsworth Montréal. Au bout de la main, Les Douches, Nuit blanche, Paris Let us bear in mind that this generation of artists is evolving in a free-for-all neo-liberal economic system which, even if in crisis, always manages to stay the course. Financial power, which is not easy for States to control, is akin to a fast and elusive flux which undoubtedly explains why liquids and fluids and their representationsare so present in works. The monetary de-materialization at work since the end of the Bretton Woods accords contributed to the making of a financial system in which currency had no more than a fictitious value. Payments by credit card and PayPal contribute to this transactional fluidity. The post-Fordist principles of the digital economy permit the de-territorialization of capital and the establishment of high-tech companies like Google, Amazon and Microsoft in tax havens, so as to dodge being taxed in countries which they profit from. The duo AIDS 3D Daniel KellerNik Kosmas is interested in these new aspects of the globalized economy: Absolute Vitality Inc. 2012 specifies unambiguously how the art market is part and parcel of this system. Akin to a platform of lectures and encounters, this installation sees itself as the promotional organ of a company purchased in 2012 by artists from a provider of services for front companies, located at Cheyenne in Wyoming USA. Conceived as a multi-function back-up for their forthcoming projects, the main goal of this company was to use a multi-layered strategy of diversified growth, enabling collectors to invest in works of art at minimum risk, with maximum return on investment. What is more, artists have put forward the idea of devising works based on the data-mining used by marketing agencies to target potential consumers: well use a program like Lexalytics to do semantic analysis on a database of art writing in order to create meaningful descriptions of artworks. Then well work with someone to write algorithms that, based on those descriptions, create instructions for new artworks. And then finally well exhibit the works and analyze the audiences opinion and behavior. Let us note that, in an interview with Jaakko Pallusvuo and Jean Kay, they are both in agreement about the similarities existing between the inter-disciplinarity hallmarking present-day art and the capacity of late capitalism to appropriate everything for itself, even criticism of it. Géraldine Tobe, peinture Aicha Muteba Makana, performance photographiée par Barry Mody Éric Androa Mindre Kolo, installation Mega Mingiedi, installation Collectif Palette Terre Artists against ego Grèce Space: The MOCAK Collection, Krakow Live Festival, Cracovie.